- Mr Mercury After Effects Model
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Adobe After Effects CC 2017 is the most powerful animation and composition software in the world to create incredible motion graphics and visual effects. Adobe After Effects is commonly used in the process of post-production and film production. Plug-ins and presets for Adobe After Effects. Get the most popular free plug-in for Adobe After Effects - Animation Composer. MR cc mercury - Creative COW's user support and discussion forum for users of Adobe After Effects. - Adobe After Effects Forum.
- Mar 12, 2017 - In this tutorial, you'll learn a very easy way to create smoke or liquid animation using the CC Mr. Mercury effect in Adobe After Effects. Mar 12, 2017 - In this tutorial, you'll learn a very easy way to create smoke or liquid animation using the CC Mr. Mercury effect in Adobe After Effects.
- Course Description. In this 2-day advanced course designed for videographers, graphic artists, and animators with experience using Adobe After Effects, the standard for motion graphics and compositions in the TV and film industries, you will learn to incorporate text, graphics, and effects into your movies.
- In this tutorial we will create some customised '300'-inspired blood splatter using only After Effects' built-in CC Mr Mercury. We'll start by altering the settings just right to get the motion to look natural. We'll then wrap up compositing it into the shot with some realistic color correction. After Effect project file included below.
Get access to the new features in Adobe After Effects CC, including a smoother playback experience, faster importing, more Cinema 4D export options, and more.
Adobe Creative Suite Master Collection software delivers unprecedented performance with blazing-fast 64-bit native support and GPU acceleration. Groundbreaking new creative tools provide innovative ways to design for the latest devices. With exceptional power and precision, you can create inspiring experiences that go anywhere.
Disk 1
Adobe Acrobat DC Professional 32-bit (eng/ru)
Adobe After Effects CC 2018 64-bit (eng/ru)
Adobe Animate CC 2018 64-bit (eng/ru)
Adobe Audition CC 2018 64-bit (eng)
Adobe Bridge CC 2018 32-bit (eng/ru)
Adobe Bridge CC 2018 64-bit (eng/ru)
Adobe Character Animator CC 2018 64-bit (eng/ru)
Adobe Dimension CC 2018 64-bit (eng)
Adobe Dreamweaver CC 2018 32-bit (eng/ru)
Adobe Dreamweaver CC 2018 64-bit (eng/ru)
Adobe ExtendScript Toolkit CC 32-bit (eng)
Adobe Extension Manager CC 32-bit (eng/ru)
Adobe Fuse CC 2017 32-bit (eng)
Adobe Illustrator CC 2018 32-bit (eng/ru)
Adobe Illustrator CC 2018 64-bit (eng/ru)
Adobe InCopy CC 2018 32-bit (eng/ru)
Adobe InCopy CC 2018 64-bit (eng/ru)
Adobe InDesign CC 2018 32-bit (eng/ru)
Adobe InDesign CC 2018 64-bit (eng/ru)
Adobe Lightroom 5 32-bit (eng)
Adobe Lightroom Classic CC 2018 64-bit (eng)
Adobe Media Encoder CC 2018 64-bit (eng/ru)
Adobe Muse CC 2018 64-bit (eng/ru)
Adobe Photoshop CC 2018 32-bit (eng/ru)
Adobe Photoshop CC 2018 64-bit (eng/ru)
Adobe Prelude CC 2018 64-bit (eng/ru)
Adobe Premiere Professional CC 2018 64-bit (eng/ru)
Adobe Scout CC 64-bit (eng)
Adobe SpeedGrade CC 2015 64-bit (eng/ru)
Adobe Acrobat Distiller DC 32-bit (eng/ru)
If you like Mr Mercury and it fits the design it's ok. Trapcode Particular would be a good 3rd party choice. The options depend on what 3rd party effects you have purchased or how much experimentation you want to do with AE's suite of effects.
Disk 2
Adobe Audition CS6 32-bit (eng)
Adobe Encore CS6 64-bit (eng)
Adobe Fireworks CS6 32-bit (eng/ru)
Adobe Flash Builder 4.7 32-bit (eng)
Adobe Flash Builder 4.7 64-bit (eng)
Adobe Flash Professional CS6 32-bit (eng/ru)
Adobe Prelude CS6 32-bit (eng)
Adobe Bridge CS6 32-bit (eng/ru)
Adobe Bridge CS6 64-bit (eng/ru)
Adobe ExtendScript Toolkit CS6 32-bit (eng)
Adobe Extension Manager CS6 32-bit (eng/ru)
Adobe Media Encoder CS6 32-bit (eng/ru)
Adobe Media Encoder CS6 64-bit (eng/ru)
Exchange Panel for CS6 (eng)
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3D Camera Tracker in After Effects
Track elements in 3D space with depth of field, shadows, and reflections. Automatically analyze and place 3D track points onto 2D footage while you work, in the background.
Ray-traced, extruded text and shapes in After Effects
Extrude fully ray-traced text and shapes natively and take full advantage of reflections, environment maps, and more.
Variable mask feathering in After Effects
Create a separate set of splines to precisely control mask feathering. Get the exact shape you want with the proper degree of softness at any point along the mask edge, resulting in a big boost to creative flexibility.
SpeedGrade for powerful color grading
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See near-instant results when editing with key tools such as Liquify and Puppet Warp. The new Mercury Graphics Engine delivers unprecedented responsiveness for a fluid feel as you work.*
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Work with precision, speed, and rock-solid stability on large, complex files due to native 64-bit support on Mac OS and Windows® with RAM and overall performance optimization.
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.
In this video tutorial, learn how to add a creative, organic animation to your footage that will leave your audience wondering how you did it.
If you’re looking for an effect to add eye-catching visuals to your footage, you’re in the right place. Whether you use it for a brand video or just for fun, this fluid animation will definitely bring a new dynamic to your project. The great part is that it’s relatively simple, involving only a few layers and one mask. Your audience will be hooked when the organic shape flows across your screen.
Here are a few examples in action.
And here’s how it’s done.
Step One in After Effects
First, you want to create a new composition — 4K or HD both work fine. Create a solid of any color you want. We can always change it later.
Creating the Effect
In Effects & Presets, type CC Mr. Mercury, and drag it onto the solid. Next, to give the animation direction, select the pen tool and make sure your solid isn’t highlighted. Draw a path of your choice. I find that an S-Curve works best.
Directing and Manipulating the Effect
On the Shape layer where you drew the path, click the dropdown arrow next to the layer. Then hit it again for Contents, then Shape 1, Path 1, and then you should arrive at Path. Highlight the Path and copy it. Close that layer, then navigate over to the solid you made earlier. Hit the dropdown arrow, open up effects, then select CC Mr.Mercury and find the parameter labeled Producer. Drag your time indicator to zero, then highlight the producer and paste the path. If you hit play, it should follow the path you drew.
Change CC Mr. Mercury in the Effects Control Panel, to the following:
Adding Some Color
Head over to the Effects & Presets panel and type in “fill.” Apply that onto the solid. Now you can pick any color you want. If you’re fine with that look, you can skip to the next step. (Recently, I have been obsessed with a neon glow look, so I took it a step further.) Grab the Glow effect, and drop it onto your solid. In your Effect Controls panel, change the glow settings to your liking.
Masking It into Your Footage
Get any video that you want and drag it under the solid. Then make a duplicate, and drag the copy above the solid — so you should have something that looks like this:
Make sure you have the duplicated footage layer selected, go over to your pen tool, and outline whatever you want the fluid animation behind. For best results, take your time here.
When you’re finished, click the drop arrow on the duplicated footage layer. Open up Mask, and right-click on Mask 1, then click on the option for Track Mask. Head over to the window that opens when you click Track Mask, and hit the play button. This will follow whatever you outlined. After Effects will make a new keyframe on every frame that represents the mask’s new path. Hit play, and the effect should go behind the portion that you masked out, making it look like it’s in the 3D space of your footage. Play the video, and if the mask is not correctly outlined, you’re going to have to go in frame by frame and fix it.
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Once you’ve finished making sure the mask is in the correct position throughout your video, feather it to give it a more natural blend. Do this by clicking on the dropdown arrow for Mask 1. On the Mask Feather option, change the setting from 0 to 3. Now, if you want the animation to seem like it’s part of the bokeh in the background, apply a camera lens blur to the solid and play with the Blur Radius to fit according to the depth of field.
Interested in the tracks we used to make this video?
- “Luna Howl” by BedLake
- “Never Fading” by Tonemassif
- “Night Fly” by Cruen
- “Don’t Forget” by Marc Walloch
- “Breakthrough Road” by Make Music
Looking for more post-production video tutorials? Check these out.
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